“I
don’t think there is a clear direction for the
industry in China,” says the 30-year-old humbly
in Mandarin during an exclusive interview with Moviexclusive.com.
Ying
was in Singapore with his producer-cum-partner Peng
Shan recently to promote his second film The Other Half,
which was screened at the 20th Singapore International
Film Festival (SIFF). Sitting comfortably at the couches
in the SIFF Secretariat in Singapore Management University,
he tells us about what he thinks of the situation in
his homeland.
“If
you give in to the studio system, you’d be restricted
in many ways. I don’t have any wild fantasies
of making it big with the China filmmaking scene.
“I
believe in being responsible to my own work,”
Ying adds firmly.
After
screening his debut film Taking Father Home at last
year’s SIFF, Ying is back with his sophomore effort,
which tells the story of a troubled woman who works
in a law firm as a transcriber. The Sichuan-shot picture
is interspersed with real-life stories of common-folk.
The multi-talented man serves as the director, screenwriter,
editor and art director for the film.
When
asked about how Ying was able to tell women’s
stories so wonderfully, Peng interjects jokingly: “He
is a Shanghai man, and it’s in his blood!”
This
is the first time the filmmaking duo is visiting Singapore.
They did not miss the opportunity to visit places like
Clarke Quay, Bugis Village and the Esplanade.
Recalling
how our very own filmmaker Tan Pin Pin brought them
around the island, Ying laughs fondly: “Pin Pin
brought us to the East Coast Beach, and we think it’s
beautiful!”
The
couple first caught Tan’s Singapore Gaga (2005)
at the Rotterdam International Film Festival, and was
impressed by how vibrant our Lion City is. Their impressions
were confirmed during their short trip here.
Ying’s
praises our countrymen: “We are pleasantly surprised
how we didn’t feel like we were in a foreign country.
Everyone here is just as friendly and earnest, like
the people we know back home.”
While
the modest Ying seems pleasant and accommodating, he
is sure of his future filmmaking visions.