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                    NARRATED BY QUEEN LATIFAH 
 Genre: Documentary
 Director: Adam Ravetch, Sarah Robertson
 RunTime: 1 hr 48 mins
 Released By: GV and Festive Films
 Rating: PG
 Official Website: http://www.arctictalemovie.com/
  
                    Opening Day: 13 September 2007  Synopsis: 
                    
 From National Geographic Films, the people 
                    who brought you MARCH OF THE PENGUINS and Paramount Classics, 
                    the studio that brought you AN INCONVENIENT TRUTH, ARCTIC 
                    TALE is an epic adventure that explores the vast world of 
                    the Great North.
 In 
                    the frozen wilderness of the Arctic, each year an ancient 
                    cycle begins: a cycle of birth, death and rebirth, love and 
                    life, self-sacrifice and great danger. Two giants of the icy 
                    North Pole – Seela, the walrus and Nanu, the polar bear 
                    - start their magical journey, from birth to adolescence to 
                    maturity and parenthood in the frozen Arctic wilderness. They 
                    are playful, mischievous, daring, calf and cub romp freely, 
                    eager for adventure, but nonetheless, both are extremely vulnerable. 
                     Their 
                    mothers will stop at nothing in the battle to rear and protect 
                    their young. Freezing cold; starvation-level hunger; lethal 
                    threats from predators and the monumental, snowbound landscape 
                    itself - all are confronted and defeated in the spectacular 
                    life-or-death struggle for survival. 
 Movie Review:
 
 Not so much an informative documentary and not so much a charming 
                    composite of family-friendly embellishment, “Arctic 
                    Tale” finds itself right smack in the middle of self-consciously 
                    catering to both the apolitical and political. If the film’s 
                    eventual silence over the specific polemic is anything to 
                    go by, then it should be added that it makes a diffidently 
                    rhetorical and not all too searching point about global-warming’s 
                    dire effects on the polar icecaps and its denizens for the 
                    sake of a barely tenable story.
 It 
                    all just amounts to a somewhat ironic escalation of furball 
                    fiction by supplanting the increasingly sophisticated and 
                    life-like rendering of underwritten, anthropomorphic critters 
                    and photo-realistic graphics with actual animals and environment. 
                    And not for nothing but the whimsical “Babe” and 
                    the disarmingly sincere “Two Brothers” have never 
                    idealised themselves after documentaries or the austere notions 
                    of non-fiction. “Arctic Tale” is remarkably well 
                    shot, at times even wondrous in its visual execution, which 
                    should be no surprise considering that it is ostensibly a 
                    National Geographic production with all the vigour and dedication 
                    that usually goes along with that tag. But 
                    if “Arctic Tale” templates the “narrative” 
                    of its obvious sire in Luc Jacquet’s “March of 
                    the Penguins” and its grounded fancies of quaint animal 
                    behaviour, then the filmmaking coupling of Sarah Robertson 
                    and Adam Ravetch facetiously infuse their film with largely 
                    trivialising kiddie-fodder pop sensibilities in an attempt 
                    to ingratiate itself to its audience. The insufferable scripting 
                    of its narration aside, it doesn’t quite nail its fascination 
                    with the circle of life but instead uses it as a cheap opportunity 
                    to aggrandise the basic communal bonds between the animals 
                    with banal show tunes Naming 
                    its two primary subjects, while not impractical further adds 
                    to the overly accentuated (and patronising) humanisation of 
                    the animal kingdom. Seela, the walrus and Nanu, the polar 
                    bear were purported to have been followed through adolescence 
                    and maturity but the film is unconcerned about following the 
                    same walrus and bear around despite predicating its entire 
                    approach on personalising these fuzz-balls. The air of disingenuousness 
                    markedly hits home when the film winds down with a falsely 
                    optimistic Kumbaya vibe that casts doubts of whether the film 
                    fully reflects what the filmmakers set out to investigate 
                    over 10 years ago.  
                      Movie 
                    Rating:     
 (Amiable in disposition but not necessary interesting 
                    or beneficial)
 
 Review by Justin Deimen
 
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