NARRATED BY QUEEN LATIFAH
Genre: Documentary
Director: Adam Ravetch, Sarah Robertson
RunTime: 1 hr 48 mins
Released By: GV and Festive Films
Rating: PG
Official Website: http://www.arctictalemovie.com/
Opening Day: 13 September 2007
Synopsis:
From National Geographic Films, the people
who brought you MARCH OF THE PENGUINS and Paramount Classics,
the studio that brought you AN INCONVENIENT TRUTH, ARCTIC
TALE is an epic adventure that explores the vast world of
the Great North.
In
the frozen wilderness of the Arctic, each year an ancient
cycle begins: a cycle of birth, death and rebirth, love and
life, self-sacrifice and great danger. Two giants of the icy
North Pole – Seela, the walrus and Nanu, the polar bear
- start their magical journey, from birth to adolescence to
maturity and parenthood in the frozen Arctic wilderness. They
are playful, mischievous, daring, calf and cub romp freely,
eager for adventure, but nonetheless, both are extremely vulnerable.
Their
mothers will stop at nothing in the battle to rear and protect
their young. Freezing cold; starvation-level hunger; lethal
threats from predators and the monumental, snowbound landscape
itself - all are confronted and defeated in the spectacular
life-or-death struggle for survival.
Movie Review:
Not so much an informative documentary and not so much a charming
composite of family-friendly embellishment, “Arctic
Tale” finds itself right smack in the middle of self-consciously
catering to both the apolitical and political. If the film’s
eventual silence over the specific polemic is anything to
go by, then it should be added that it makes a diffidently
rhetorical and not all too searching point about global-warming’s
dire effects on the polar icecaps and its denizens for the
sake of a barely tenable story.
It
all just amounts to a somewhat ironic escalation of furball
fiction by supplanting the increasingly sophisticated and
life-like rendering of underwritten, anthropomorphic critters
and photo-realistic graphics with actual animals and environment.
And not for nothing but the whimsical “Babe” and
the disarmingly sincere “Two Brothers” have never
idealised themselves after documentaries or the austere notions
of non-fiction. “Arctic Tale” is remarkably well
shot, at times even wondrous in its visual execution, which
should be no surprise considering that it is ostensibly a
National Geographic production with all the vigour and dedication
that usually goes along with that tag.
But
if “Arctic Tale” templates the “narrative”
of its obvious sire in Luc Jacquet’s “March of
the Penguins” and its grounded fancies of quaint animal
behaviour, then the filmmaking coupling of Sarah Robertson
and Adam Ravetch facetiously infuse their film with largely
trivialising kiddie-fodder pop sensibilities in an attempt
to ingratiate itself to its audience. The insufferable scripting
of its narration aside, it doesn’t quite nail its fascination
with the circle of life but instead uses it as a cheap opportunity
to aggrandise the basic communal bonds between the animals
with banal show tunes
Naming
its two primary subjects, while not impractical further adds
to the overly accentuated (and patronising) humanisation of
the animal kingdom. Seela, the walrus and Nanu, the polar
bear were purported to have been followed through adolescence
and maturity but the film is unconcerned about following the
same walrus and bear around despite predicating its entire
approach on personalising these fuzz-balls. The air of disingenuousness
markedly hits home when the film winds down with a falsely
optimistic Kumbaya vibe that casts doubts of whether the film
fully reflects what the filmmakers set out to investigate
over 10 years ago.
Movie
Rating:
(Amiable in disposition but not necessary interesting
or beneficial)
Review by Justin Deimen
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