Genre: Romance
Director: Robert Benton
Cast: Morgan Freeman, Greg Kinnear, Radha Mitchell,
Jane Alexander, Alexa Davalos, Toby Hemingway, Selma Blair,
Stana Katic, Billy Burke, Fred Ward, Erika Marozsan
Runtime: 1 hr 42 mins
Released By: Cathay-Keris Films
Rating: R21 (Sexual Scenes)
Official Website: http://www.feastoflovefilm.com
Opening Day: 21 February 2008
Synopsis:
From venerable Academy Award® winning director Robert
Benton ("Kramer vs. Kramer"), comes a kaleidoscopic
ode to life and love in all its funny, sad, sexy, crazy, heartbreaking
and life sustaining facets: "Feast of Love." In
a coffee shop in a tight-knit Oregon community, local professor
Harry Stevenson (Academy Award® winner Morgan Freeman)
witnesses love and attraction whipping up mischief among the
town's residents. From the unlucky in love, die-hard romantic
coffee shop owner Bradley (Academy Award® nominee Greg
Kinnear) who has a serial habit of looking for love in all
the wrong places, including with his current wife Kathryn
(Selma Blair); to the edgy real estate agent Diana (Radha
Mitchell) who is caught up in an affair with a married man
(Billy Burke) with whom she shares an ineffable connection;
to the beautiful young newcomer Chloe (Alexa Davalos) who
defies fate in romancing the troubled Oscar (Toby Hemingway);
to Harry himself, whose adoring wife (Jane Alexander) is looking
to break through his wall of grief after the wrenching loss
of a beloved... they all intertwine into one remarkable story
in which no one can escape being bent, broken, befuddled,
delighted and ultimately redeemed by love's inescapable spell.
Movie Review:
Feast of Love is not a show you'd watch with your girlfriend
on Valentine's Day. Should you watch it, you'd feel the title
borders on a obliquely risque double entendre attempt. Cobbled
together are classic stereotypes of couple situations, relationships
and "universal truths" about both men and women,
mashed together in a multiple story style attempt we've seen
ever so often in romantic dramas. Love Actually aced it beyond
doubt, no doubt aided by sharp Brit wit and astute script
and screenplay, complimented by suave directorial command.
Feast of Love doesn't flop, but it clearer lacks any of these
qualities.
Feast of Love is more like a feast of emotional flippancy,
promiscuity and lots of nudity. Morgan Freeman's credible,
assured and typically classy performance is swamped by an
over dependence on cliched takes on relationships and love.
Girl meets boy and they fall in lust, having sex at every
opportunity, on one occasion on the field of a huge football
stadium. A housing agent speaks of love for a lovelorn customer
of hers - when their conversations don't extend past typical,
everyday conversation - and does so in bed to a married man
with whom she has a protracted sexual affair. Freeman stays
clean from these icky business by playing a professor of philosophy
who dishes out advice freely while innately struggling with
personal issues of his own that belies his smooth, confident,
fatherly outer appearance.
The pace of the movie is rapid, flitting between the three
central stories that form the core of the film. The scripting
and dialogue will manage to find a few connecting moments
with anyone who's been through the frustrations of a relationship
but the movie never ever rises above that. The women drop
their clothes at almost every other scene, resulting in an
inability for the audience to take any of them seriously.
The other major crippling point is that of how the characters
simply don't get fleshed out enough as the plot narrative
moves along, worsened by the fact that the characters seem
to regard sex as proper interaction and the main means of
communication.
Ultimately Feast of Love trudges along like a bland romance
flick so un-noteworthy you'll easy forget you even watched
it. You won't remember the names of the characters and even
the source of their conflicts and troubles in the film. Everything
gets over ridden by the nudity in the film, which renders
this as a shallow, undecided film that dispenses bland fare.
That Freeman's regular level of performance could seem so
cultured and assured speaks volumes about how everyone else
in the film fail in comparision.
Movie
Rating:
Review by Daniel Lim
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