Genre:
Drama
Director: Douglas Mackinnon
Cast: Jonny Lee Miller, Laura Fraser, Billy
Boyd, Morven Christie, Brian Cox
RunTime: 1 hr 36 mins
Released By: Cathay-Keris Films & Lighthouse
Pictures
Rating: PG
Official Website: www.theflyingscotsmanmovie.com
Opening
Day: 28 June 2007 (Cathay Orchard, The Cathay &
GV Vivocity)
Synopsis
:
"The Flying Scotsman" is a true story based
on the inspirational and remarkable Scottish cyclist, Graeme
Obree. In 1993, this unemployed amateur broke the world one-hour
record on a bike of his own revolutionary design, which he
constructed out of scrap metal and parts of a washing machine.
Shortly after Graeme broke the record, he lost his title when
another cyclist beat his time. This only served to motivate
Graeme to break the record again, while also battling mental
illness.
Movie
Review:
Ah, Jonny Lee Miller’s back on our screens.
How we’ve missed you, Sick Boy. In Douglas Mackinnon's
theatrical feature debut, Miller gives one of the most remarkable
performances of his career as Graeme Obree, who rose from
obscurity to become a record-breaking Scottish phenomenon
in world cycling in the early to mid 90s. As with any sports
film, adversity trumps hardships. But with “The Flying
Scotsman”, it is a workmanlike, if plaintive biopic
that considers the perils of success as much as defeat.
The
film bears through Obree’s childhood in a council estate
through his subsistence as an adult barely being able to run
a bike shop in his small town and couriers on the side to
keep food on the table. It is meant to be a life with certain
missing pleasures, a humdrum banality of an ordinary man that
wasn’t supposed to have experienced the especial attention
heaped on national heroes. Unfortunately, that’s as
far an insight we receive into Graeme Obree, the man, as opposed
to Mackinnon’s stanch devotion to Obree, the dogged
sportsman who defied all expectations to conquer obstacles
much more insidious than testicular cancer. And even if the
markers of the sports movie genre are manifested in the poverty
of new ideas in its execution, there’s undeniable resonance
in the implication that triumph and deep melancholy are linked
in a complex paradox.
The
situational conundrums of this film offer a hefty, but darker
parallel with “The World's Fastest Indian”, the
vivacious biopic of New Zealander Burt Munro and his motorbike
that broke its land-speed records in the 60s. They share the
similar industriousness and maverick zeal that infuriated
their respective sports’ bureaucrats with their ingenuity.
In this case, with Obree building his racing bike from spare
kitchen parts and personalising his instrument with novel
riding styles that endeared him to fans and competitors.
Even
with the requisite adversary in the World Cycling Federation’s
officious Ernst Hagemann (Steven Berkoff), who attempts to
thwart the Scot at every turn, Obree’s truest nemesis
is his debilitating depression that Mackinnon brusquely associates
with buried childhood incidents. It’s an unenviable
task to craft a viable sense of despair resulting from the
illness but a cadre of thankless roles (a clergyman, a wife
and a close friend) acerbate the cursive dynamics of simplicity
being used to abridge the density of the subject matter.
Movie
Rating:
(A strong central performance belies a tepid insight into
its central themes)
Review
by Justin Deimen
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