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 Genre: Drama
 Director: Lisa Cholodenko
 Cast: Annette Bening, Julianne Moore, Mia Wasikowska, Josh Hutcherson, Mark Ruffalo, Yaya DaCosta, Kunal Sharma, Eddie Hassell
 RunTime: 
                  1 hr 46 mins
 Released By: Festive Films & Cathay-Keris Films
 Rating: R21 (Homosexual Theme)
 Official Website: http://filminfocus.com/focusfeatures/film/the_kids_are_all_right
 
  
                    Opening Day: 24 February 2011 Synopsis: 
                    "The Kids Are All Right" is the heartfelt new comedy from 
                    acclaimed director Lisa Cholodenko, starring Annette Bening, 
                    Julianne Moore, and Mark Ruffalo. Two teenaged children ("Alice 
                    in Wonderland's" Mia Wasikowska and "Journey to the Center 
                    of the Earth's" Josh Hutcherson) get the notion to seek out 
                    their biological father and introduce him into the family 
                    life that their two mothers (Bening and Moore) have built 
                    for them. Once the donor (Ruffalo) is found, the household 
                    will never be the same, as family ties are defined, re—defined, 
                    and re—re—defined.   
                     
                    Movie Review: 
 The Kids Are All Right may contain the obvious homosexuality 
                    theme, but it is essentially a movie that eagerly attempts 
                    to break stereotypes. Right off the bat, the title alone already 
                    strikes off one of the notions that people like the California’s 
                    prop 8 supporters, might probably have towards the family 
                    life of same-sex couples.
 
 The kids in question are Joni, played by Mia Wasikowski (the 
                    girl from Alice in Wonderland), and Laser (yes that’s 
                    Laser as in light) – two teenaged half-siblings living 
                    comfortable upper middle class lives with their two mothers 
                    whom they address in the collective, as ‘moms’. 
                    The boy skates and the girl is a straight-A student because 
                    well, the movie wants you to know that even though they have 
                    gay parents they are still well adjusted. One mom is a doctor 
                    and the other is about to start a landscaping business – 
                    both loving and caring towards each other and the kids. They 
                    have home dinners, family tv sessions and things are as normal 
                    as can be for the family unit, until one day, Laser convinces 
                    his elder college-going sister to contact their birth father 
                    i.e. their moms’ sperm donor.
 
 She drags her feet doing it, but eventually forms a close 
                    bond with Mark Ruffalo’s easily likable character of 
                    Paul – a middle-aged hippie sans peace sign necklace 
                    and bell-bottoms, who dropped out of college, zips around 
                    on a motorcycle and owns a restaurant that strictly serves 
                    locally grown produce. His character is laid-back, free-spirited, 
                    and easily connects with people.
 
 Awkwardness and flattalk on personal histories peppers the 
                    first meeting between the father and the kids, and also most 
                    of the conversations between most of the characters actually. 
                    But, this is a good thing, as the movie does not care to strive 
                    towards the usual comedy movie banter a la an episode of Friends 
                    thus preserving realism as it addresses life’s grey 
                    areas. This however, makes its comedy genre kind of misplaced.
 
 After surviving first meetings with the kids and then followed 
                    by the moms, Paul’s demeanor wins the hearts of everyone 
                    except Nic the control freak as played by Annette Benning, 
                    who stands as the antithesis to the biological father. She 
                    begins to see him as an interloper as he starts to hang out 
                    with the kids naturally like a cool dad does. Oh, and he also 
                    goes into amutually initiated affair with yes, one of his 
                    sperm recipients, Julianne Moore’s Jules. Now, that’s 
                    another stereotype broken there, because the movie wants you 
                    to know that human desire is complex and irrational. Another 
                    example would be, Nic and Jules’ intimate sessions done 
                    to gay male pornography. Yup.
 
 With so many stereotypes to challenge through explicit means, 
                    the movie loses its focus and at the same time, its justification 
                    for getting that best picture Oscar nomination. The pop psychology 
                    notes on human sexuality and insights on the negotiable meanings 
                    of family, marriage and relationships are interesting, but 
                    they are not backed up by proper characterization. For a start, 
                    Laser’s motivation to connect with his biological father 
                    should have been fleshed out more rather than transforming 
                    him into an apathetic teenager who could only go ‘meh’ 
                    at the whole thing. Instead, the issue is completely ignored 
                    in favour of the less interesting subplots of Joni’s 
                    last summer before college and the adults’ mid-life 
                    crisis. Paul’s character too, is not given a dignified 
                    exit worthy of the most likable character in the movie leaving 
                    the ending to not be all right.
 
 Movie 
                    Rating:
 
 
     
 (The movie is just all right)
 
 Reviewed by Siti Nursyafiqa
  
                    
                    
                    
 
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