Genre: Drama
Director: Lisa Cholodenko
Cast: Annette Bening, Julianne Moore, Mia Wasikowska, Josh Hutcherson, Mark Ruffalo, Yaya DaCosta, Kunal Sharma, Eddie Hassell
RunTime:
1 hr 46 mins
Released By: Festive Films & Cathay-Keris Films
Rating: R21 (Homosexual Theme)
Official Website: http://filminfocus.com/focusfeatures/film/the_kids_are_all_right
Opening Day: 24 February 2011
Synopsis:
"The Kids Are All Right" is the heartfelt new comedy from
acclaimed director Lisa Cholodenko, starring Annette Bening,
Julianne Moore, and Mark Ruffalo. Two teenaged children ("Alice
in Wonderland's" Mia Wasikowska and "Journey to the Center
of the Earth's" Josh Hutcherson) get the notion to seek out
their biological father and introduce him into the family
life that their two mothers (Bening and Moore) have built
for them. Once the donor (Ruffalo) is found, the household
will never be the same, as family ties are defined, re—defined,
and re—re—defined.
Movie Review:
The Kids Are All Right may contain the obvious homosexuality
theme, but it is essentially a movie that eagerly attempts
to break stereotypes. Right off the bat, the title alone already
strikes off one of the notions that people like the California’s
prop 8 supporters, might probably have towards the family
life of same-sex couples.
The kids in question are Joni, played by Mia Wasikowski (the
girl from Alice in Wonderland), and Laser (yes that’s
Laser as in light) – two teenaged half-siblings living
comfortable upper middle class lives with their two mothers
whom they address in the collective, as ‘moms’.
The boy skates and the girl is a straight-A student because
well, the movie wants you to know that even though they have
gay parents they are still well adjusted. One mom is a doctor
and the other is about to start a landscaping business –
both loving and caring towards each other and the kids. They
have home dinners, family tv sessions and things are as normal
as can be for the family unit, until one day, Laser convinces
his elder college-going sister to contact their birth father
i.e. their moms’ sperm donor.
She drags her feet doing it, but eventually forms a close
bond with Mark Ruffalo’s easily likable character of
Paul – a middle-aged hippie sans peace sign necklace
and bell-bottoms, who dropped out of college, zips around
on a motorcycle and owns a restaurant that strictly serves
locally grown produce. His character is laid-back, free-spirited,
and easily connects with people.
Awkwardness and flattalk on personal histories peppers the
first meeting between the father and the kids, and also most
of the conversations between most of the characters actually.
But, this is a good thing, as the movie does not care to strive
towards the usual comedy movie banter a la an episode of Friends
thus preserving realism as it addresses life’s grey
areas. This however, makes its comedy genre kind of misplaced.
After surviving first meetings with the kids and then followed
by the moms, Paul’s demeanor wins the hearts of everyone
except Nic the control freak as played by Annette Benning,
who stands as the antithesis to the biological father. She
begins to see him as an interloper as he starts to hang out
with the kids naturally like a cool dad does. Oh, and he also
goes into amutually initiated affair with yes, one of his
sperm recipients, Julianne Moore’s Jules. Now, that’s
another stereotype broken there, because the movie wants you
to know that human desire is complex and irrational. Another
example would be, Nic and Jules’ intimate sessions done
to gay male pornography. Yup.
With so many stereotypes to challenge through explicit means,
the movie loses its focus and at the same time, its justification
for getting that best picture Oscar nomination. The pop psychology
notes on human sexuality and insights on the negotiable meanings
of family, marriage and relationships are interesting, but
they are not backed up by proper characterization. For a start,
Laser’s motivation to connect with his biological father
should have been fleshed out more rather than transforming
him into an apathetic teenager who could only go ‘meh’
at the whole thing. Instead, the issue is completely ignored
in favour of the less interesting subplots of Joni’s
last summer before college and the adults’ mid-life
crisis. Paul’s character too, is not given a dignified
exit worthy of the most likable character in the movie leaving
the ending to not be all right.
Movie
Rating:
(The movie is just all right)
Reviewed by Siti Nursyafiqa
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