In
German with English Subtitles
Genre: Drama
Director: Dominik Graf
Cast: Max Riemelt, Jessica Schwarz, Ronald
Zehrfeld
RunTime: 2 hrs 8 mins
Released By: The Picturehouse
Rating: M18 (Sexual Scenes)
Opening Day: 12 April 2007 (The Picturehouse)
Synopsis:
In spring 1961, 20-year-old Siggi comes to Dresden to work
as a scenery painter at the theater. There he falls head over
heels in love with the young poet Luise, who makes him acquainted
not only with the notorious dance club "Der Rote Kakadu,"
but also with the boisterous, impulsive Wolle, her husband.
While Siggi discovers an entirely new and fascinating world
in "The Red Cockatoo", he also soon finds himself
struggling with his growing feelings for Luise. The clique
is thirsting for freedom and self-fulfilment and Siggi decides
to master his own fate and takes a decisive step...
Movie
Review:
A threesome wrought with political ideals form a tenuous foundation
for “The Red Cockatoo”. A probable and precarious
romance assimilate, like most of the denizens of its 1961
Dresden setting, with the growing need of youths to channel
their rebelliousness into the politicised East German milieu.
A playful, quasi-melodrama (by way of a tepid love triangle)
that is pasteurised of its more mundane issues of tedious
moralisation, the film unsuccessfully attempts to juggle its
pervasive politicking with the personal growth of the young
and idealistic Siggi (Max Riemelt).
Riemelt,
best known from yet another politically charged German period,
“Napola”, is astonishingly well versed in naivety
especially seen in Siggi’s earnest bewilderment of a
life suddenly faced with uncertainty and disassociation. Wide-eyed
and with just a certain measure of tremulous need for purpose,
Siggi gets to work as a painter for sets in a theatre with
the hope of going to art school. A casual stroll in a park
forces him into a premature encounter with the GDR’s
police force that leads to the first meeting of the film’s
triumvirate in proscribed scribe, Luise (Jessica Schwarz)
who delivers him to the titular locale, a local dance club
called The Red Cockatoo. Siggi meets Luise’s flippant,
boorish husband, Wolle (Ronald Zehrfeld), the final complication
in the ternary.
As
a primary location, the club hopefully symbolises the youthful,
underground rebellion that gathers in its Bohemia. Notoriously,
and defiantly rebukes the political upheavals and impending
construction of the Berlin Wall by playing West Germany’s
music, a practice sternly disapproved of by the GDR. Despite
the occasional sense that Siggi’s escalating involvement
into the 60’s zeitgeist of political demonstration is
nothing more than an act of emotional compensation when his
feelings for Luise starts to deepen, it does eventually gather
itself with a certain insight into the strength of character
that the era’s youthful protesters once possessed.
The
essentially redeeming poignancy of the film, and perhaps its
emotional slant is more psychological than political. “The
Red Cockatoo” is fundamentally construed as a comedy,
but an oddly ineffectual one since it never does quite figure
out how to balance its characters’ emotional outputs
of anger, disenchantment, lust and impetuses. A close and
possibly apt comparison would be the producers’ own
“Good Bye, Lenin!” that confidently tackled the
similar tropes of Germany's East-West miasma with heart, humour
and a deft understanding of human needs and drives. Something
that was lost throughout this film’s proceedings.
Movie Rating:
(Overly long, but evokes the spirit of the rock ‘n’
roll era with some clever but loose scripting)
Review
by Justin Deimen
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