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Language:
Chinese Audio
Subtitles: English and Chinese |
Genre: Action
Director: Lau Kar Leung
Starring: Jet Lee, Huang Qiu-yan
Runtime: 1 hr 52 mins
Rating: PG
Year Made: 1985
Features: VCD
Distributor: Videovan
Entertainment Industries Pte Ltd
Review:
A famous Chinese saying goes: ”All martial arts
originated from Shaolin.” In this concluding chapter
of the Shaolin Trilogy (Shaolin Temple, Kids from Shaolin),
Jet Lee starred as Zhi Ming, a Shaolin monk who works
hard to perfect his martial art skills so that he is
capable to assassinate a
corrupt and powerful Qing’s Lord, He Sou, to avenge
his parent’s death. Joining his alliance is Sima
yan (Huang Qiu-yan), who coincidentally wanted to kill
He Sou to revenge for her parents, and Zhao Wei, a South
Shaolin student.
The
awfully familiar and simple plot, which has nothing
to do with the two Shaolin prequels, could be well forgotten.
The love triangle between Zhi Ming, Sima Yan and Zhao
Wei are also pathetic and unnecessary. Fortunately,
these shortcomings do not disrupt the viewing pleasure
of the
spectacular battle sequences in the movie, which sees
the deployment of over hundred extras, mostly well versed
in martial arts.
Legendary
Kungfu movie director, Lau Kar Leung had crafted this
Shaolin finale to a glorious finishing. Bringing his
HongKong crew to film in China, something which was
rarely done by HongKong filmmaker in that era, the excellent
choice of venues had left memorable impression especially
the battles between the assassins and the Qing soldiers
and seeing them fought on famous Chinese landmarks like
the Forbidden City, Great Wall of China, and the Yangtze
River is a blast!
The
set, props and costume were also fantastic! The lavish
display of colours at He Sou’s birthday celebration
in the Forbidden City was spectacular with a nice number
of lion and dragon dance plus many acrobatic stunts
and performances. The final showdown was equally amazing,
with the casts fighting the Qing’s villain and
his countless numbers of bodyguards on board a narrow
but magnificent looking double-decker boat floating
on the Yangtze river.
Throughout
the movie, there were also a wide array of martial arts
skills spotted, including the Shaolin’s pole,
Drunken sword fighting, chain daggers, triple chain
poles, Praying Mantis fist, and South Shaolin horse
etc. All these, which were done with minimal wire works
and no CG
special effects, were enough to put most contemporary
kungfu movies filmmakers to shame.
It
is a pity that this is the only collaboration between
Lau Kar Leung and Jet Lee. While Jet Lee proceed to
make his mark in the international entertainment scene,
Lau Kar Leung, who insisted on the old school of kungfu
film making, have been heading downhill, producing numerous
dismissal releases like “Operation Scorpio”
(1992) and “The Drunken Master 3” (1994).
As a result, Martial Arts of Shaolin, which marks the
peak of Lau Kar Leung’s career and the birth of
International KungFu superstar, Jet Lee had made it
a must-see and must-have collection for kungfu movie
fans.
Overall
Rating: B+
Review
by Leosen Teo |
Language:
Chinese Audio
Subtitles: English and Chinese |
Genre: Drama
Director: Yuen Feng
Starring: Ivy Ling Po, Chin Han, Yang Chi-Ching,
Chen Yen-yen, Ching Miao, Wu Ma
Runtime: 1 hr 52 mins
Rating: PG
Year Made: 1964
Features: VCD
Distributor: Videovan
Entertainment Industries Pte Ltd
Review:
The younger generation of today will know the story
of Hua Mulan from recent adaptation works such as the
famous Disney's cartoon feature "Mulan". Though
it might not exactly depict the actual events and characters,
the main theme and plotline is in some ways similar
to this 1964 production which starred the legendary
actress, Ivy Ling Po.
Ivy
Ling Po plays a filial daughter, Hua Mulan who substitutes
her ailing father into going to war. Disguised as a
man, it is mandatory for her to learn how to establish
rapport with fellow "buddies" before her guise
is discovered. As the war stretches on for 12 long years,
Mulan realised she has fallen for her instructor, General
Li. To complicate matters, the Marshal in charge decides
to marry her daughter to Mulan for her contributions
to the country.
The
movie itself is peppered with song routines throughout.
And the lyrics are poetic and emotionally inspiring
and witty at times. Ivy Ling Po does a tremendously
good job in portraying a women in man robes, competent
in both martial arts as well as not neglecting the feminine
side of her character. You can say that Ivy Ling Po
has already tackled the dual roles so well that Anita
Yuen pales in comparision in "He's a woman. She's
a man". Though the productions in the sixties and
seventies are shot mostly indoors. The sets, props,
costumes and greenery are beautifully constructed and
created surpassing even the standards of today production
values in Hong Kong.
"Lady General Hua Mu-lan" plotlines flows
predictably with competent supporting roles such as
Mulan's loyal cousin and General Li. On the whole, it's
more operatic than martial arts. What truly makes you
applaud at the end of the movie still lies in Ivy's
performance (She won the Best Actress in the 11th Asian
Film Festival) and the no-nonsense production values
at that time.
Overall
Rating: B
Review
by Linus.T. |
Language:
Chinese Audio
Subtitles: English and Chinese |
Genre: Action/Thriller
Director: Ho Meng-Hua
Starring: Cheng Pei-Pei, Lo Lieh, Shih Szu,
Wang Hsia
Runtime: 1 hr 48 mins
Rating: NC-16
Year Made: 1971
Features: VCD
Distributor: Videovan
Entertainment Industries Pte Ltd
Review:
Cheng Pei-pei, the KungFu maiden of the 60s, returned
as a formidable swordswoman, nicknamed: “Chung
Kuei”, which was also the name of an ancient Taoist
deity that protects people from the evil spirits.
In
an attempt to relieve the people from the tyranny of
Black Demon (Wang Hsia) three years ago, Chung Kuei
sustained a near fatal injury that forced her to retreat
to a secluded life as a cook in Da An Security Company
while recuperating. However, along came the arrogant
and ambitious Tsui-ping (Shih Szu) who hopes to learn
kungfu skills from Chung Kuei, but only to invite unwanted
attention of Chung Kuei’s hideout to her old foes.
After
many battles, fighting together against the henchmen
of Black Demon, love-triangle soon develop between Chung
Kuei, Chang Chun (Lo Lieh), a well-mannered gentleman
working in Da An Security Company, and Tsui-ping, who
had became Chung Kuei’s disciple. Although it
was good intention to sprinkle some romance to cool
off the mindless atrocities, it had somehow drag down
the pace of the movie, making the runtime seem lengthy.
Screen villain Lo Lieh as the center of attraction was
rather awkward throughout as audiences may be expecting
some unscrupulous act from him. But this time, he can
be trusted.
The
fighting sequences in this 70s movie were surprisingly
well choreographed. The slaughtering were quick and
sharp, unlike most other kungfu movies of that era,
which always have challengers starring endlessly at
each other before crossing blows. Audience may be pleased
with the endless numbers of enemies surrounding the
heroes, only to be brutally slain one after another.
Somehow along the way, there may be careless editing,
as the body count in many scenes were incorrect. Nevertheless,
the finale was exciting enough with a battle in the
middle of a flimsy-looking bridge, and also on a tall
pagoda tower.
The
movie, in spite of it being made in the 70s, still offers
much gruesome bloodshed that may please many kungfu
film followers. In the CG heavy World now, this is still
a reasonable entertaining alternative with its genuine
sparring actions.
Overall
Rating: B
Review
by Leosen Teo |
THE
DREAM OF THE RED CHAMBER |
Language:
Chinese Audio
Subtitles: English and Chinese |
Genre: Drama/Romance
Director: Li Han-Shiang
Starring: Brigitte Lin Ching-hsia, Slivia Chang,
Deborah, Michelle Mei Suet
Runtime: 1 hr 48 mins
Rating: PG
Features: VCD
Distributor: Videovan
Entertainment Industries Pte Ltd
Review:
The tragic romance between Chia Pao-yu and Lin Tai-yu
has always been touted as the Chinese version of Shakespeare’s
“Romeo and Juliet”. Directed by the father
of Huangmei movies, Li Han-hsiang, this timeless classic
was given a total makeover from the 1961 version (also
directed by
Li Han-hsiang) with better music scores, nicer costume,
and stronger casts.
It
is obvious that the Yue opera style songs and melodies
were now played by western keyboard. The wayang movements
were at this point minimized so that the focus was,
like contemporary movies, more onto the facial expression
of the actresses (Yes! The main casts are all actress!).
The
incredibly beautiful Brigitte Lin Ching-hsia starred
as Chia Pao-yu, a frivolous and ultra-rich brat changing
for the better when his cousin Lin Tai-yu (Silva Chang)
came to stay with his family. Called that puppy love,
romance between them soon blossom but only to meet with
opposition
from Pao-yu’s family, as Tai-yu’s health
was way too fragile. When Pao-yu’s family tricked
him to marry another cousin, Pao-Chai (Michelle Mei
Suet), Tai-yu was so devastated that she soon falls
sick and ultimately passes away, heart broken. Overcome
by her death, Pao-yu chooses the way of a monk in the
bid to relieve his pain.
Brigitte
Lin Ching-hsia is outstanding as Chia Pao-yu, portraying
many facets like cheerfulness, defiance, grievous and
even madness. Her looks were unsurpassed till today
as the most handsome Chia Pao-yu on screen. On the other
hand, Silvia Chang as the heavenly beauty Lin Tai-yu
was rather unconvincing. Her strength however is that
she able to pull the emotion chords with her hauntingly
sorrowful performance in the final half an hour. Finally,
it was a pleasant surprise to spot young Michelle Mei
Suet, Hui Ying-Hon, and Tien Niu who are now renowned
veteran actresses, in the movie.
The
movie was crowned the Best Picture and Best Production
Design in the 15th Golden Horse awards as well as Best
Costume Design and Best Production Design in the 24th
Asian Film Festival.
Overall
Rating: B
Review
by Leosen Teo |
Language:
Chinese Audio
Subtitles: English and Chinese |
Genre: Action
Director: Jimmy Wang Yu
Starring: Jimmy Wang Yu, Lo Lieh, Wang Ping,
Chao Hsiung, Cheng Lei
Runtime: 1 hr 26 mins
Rating: M18 (For Sexual Violence)
Features: VCD
Distributor: Videovan
Entertainment Industries Pte Ltd
Review:
Set in a small Chinese village during the pre-war period,
the once peaceful street were terrorized by Karate expert,
Kitashima (Lo Lieh) and the despicable Tiao Erh, who
was earlier ousted by the villagers for misconduct.
First was the wipe out of the master and disciples in
Zhong Yi Chinese Martial Art Clan. Next, the village
was disintegrated with gambling den, gangsters and loan
sharks.
Outraged by the forlorn state of the village, Lei Ming
(Jimmy Wang Yu), the surviving disciple of the Zhong
Yi Clan, left his hide out, seeking revenge and restoring
peace back to the streets after perfecting the Iron
Palm and Light Leaping skills – the only known
technique capable of defeating the Japanese Karate.
However, being outnumbered by equally highly skilled
and cunning villains, he needs more than just formidable
craft.
Directed, written and acted by Jimmy Wang Yu, who can
be considered as a mega celebrity in the 70s, the movie
is a no fuss, blood-spattering treat with a predictable
plot. The acting of the casts looks forced and pretentious,
which were understandable for a movie made during the
infancy
stage of Hong Kong movie industry. Nevertheless, the
nostalgic feel of yesteryears and the chuck-able “looks-like-using-tons-of-strength”
sparring moves were the main draw. And Yes! Not forgetting
that obviously fake blood-pack hiding in the pocket
of the casts.
It
seem that the immortality of this movie was made possible
with present day technology. The screen colour and sound
clarity of this digitally restored and remastered movie
is simply superb although there were negligible jumps
and audio distortion spotted in a few scenes. Finally,
there were really some good amount of gore and unexpectedly,
nudity in the movie which rendered it with a M18 rating
on its disc cover to protect our minor.
Overall
Rating: B-
Review
by Leosen Teo |
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