Publicity
Stills of
"The Bucket List"
(Courtesy from Warner Bros)
Genre: Comedy/Drama Director: Rob Reiner Cast: Jack Nicholson, Morgan Freeman, Sean
Hayes, Rob Morrow RunTime:
1 hr 37 mins Released By: Warner Bros Rating: PG Official Website:www.thebucketlist.net
Opening Day: 27 March 2008
Synopsis:
Corporate
billionaire Edward Cole (Jack Nicholson) and working class
mechanic Carter Chambers (Morgan Freeman) are worlds apart.
At a crossroads in their lives, they share a hospital room
and discover they have two things in common: a desire to spend
the time they have left doing everything they ever wanted
to do and an unrealized need to come to terms with who they
are. Together they embark on the road trip of a lifetime,
becoming friends along the way and learning to live life to
the fullest, with insight and humor. Each adventure adds another
check to their list.
Movie Review:
Rob Reiner’s “The Bucket List” primarily
prides itself on the inclusion of two A-list superstar septuagenarians
in Jack Nicholson and Morgan Freeman as the leads in a disingenuous
buddy comedy about dying slowly from cancer, and is most egregious
in its flippancy of life as a race to vacuously check off
destinations and activities from a list. Reiner’s recent
outputs have aimed for unmemorable sensations of formulaic
heartwarming affirmations of life amidst comic mediocrity
and there’s no reason to think that he might have found
actually unearthed some genuine emotions here.
What
does an old ruthless white corporate billionaire with hoards
of women have in common with an old compassionate black mechanic
still in love with his high-school sweetheart? They are both
dying from cancer! It’s the unfunny punchline that Reiner
and his screenwriter Justin Zackham keep coming back to when
the film gets to one of its many lulls when faced with difficult
questions on life. Zackham is the protégé to
Reiner’s master of manufactured sentiments – no
surprise then that the globetrotting duo of Edward Cole (Nicholson)
and Carter Chambers (Freeman) mostly find themselves in front
of fugly green-screens instead of the real thing. It all adds
to the supreme artifice that the film languors in each time
it attempts to evoke something, anything from its characters’
inevitable existential struggles with their illness. But Reiner
and Zackham have no grasp on true last-gasp mortality and
dignity, evidenced by the empty, two-bit truisms that the
film closes with.
The
arrangement is easy. Cole pays for the round-the-world trip,
while Chambers earns his passage by keeping him in line by
reminding him of what’s truly important in life. Aided
by Thomas (the deadpan Sean Hayes provides most of the honest
laughs in the film), the long-suffering assistant to Cole,
they proceed to different regions of the world to participate
in activities we don’t expect to see old coots experiencing.
Cue the one-note joke.
While
there’s no doubt that these two charismatic stars uplift
the material from its doldrums, there’s still a sense
that both men give just about the bare minimum that their
roles require from their odd couple dynamics, to the comparatively
more profound realisation that they have nothing more to proof
to themselves. Nicholson has played the Devil and Freeman
has played God. The dichotomy between the two is so apparent
that one must surmise that the script was based on the marquee
casting rather than its story. Reiner leaves these two to
their own machinations and it’s tempting to say that
the two leads play versions of themselves. Nicholson ingratiatingly
blusters through his lines, with an appreciable bit of physical
comedy but with a dynamic gusto bordering on overbearing insecurities
that resembles roles from “As Good As It Gets”
and “Anger Management”, as Freeman devolves (intentionally
or unintentionally is anyone’s guess) into a parody
of his most famous roles as The Sagacious Narrator last seen
in “Feast of Love”.
It
is fair to say that Nicholson and Freeman have quite a bit
of fun in “The Bucket List” goofing off in situations
more absurd than funny. But the question still begs: How come
we don’t?
Movie Rating:
(Ham-fisted and bland, with no genuine examples of heartfelt
comedy)